Skipping to the End of the Book
I've been working busily away over the last couple of weeks and I've
got a number of things on the go. I promised myself to make a few
gallery submissions this year and here we are almost halfway through
August and I haven’t done so yet. I'm aiming to start sending
some packages out in October.
I've also started to think out written proposals for shows and that’s
where I've run into some problems. The initial proposal was for a
show of fifteen to twenty pieces all framed and hung. It's pretty
straight forward, no problem right? I started to work out the
cost of framing which will be fairly expensive. It's not really a
big deal. If I got a show somewhere I'd certainly suck up the
cost of framing. My problem was I started thinking about ways to
get around framing the work.
As I thought about the problem in my head the idea of the work slowly
shifted in my head from images that hung on a wall to objects
that occupied space. I thought of a few different variations of
the work I could try out and got excited with this new direction I
could take my work. It feels like I went through a few years of
work in my head and I want to run out a start making it. Part of
me wants to abandon what I'm doing right now and start this new work,
but I can't.
This is a problem I've always had. I remember when I was in
school I would do stuff like this all the time. By the end of it
I had a body of work that seem to have very little continuity to anyone
but me. Progression in art is a good thing. Watching and
artist work develop over time is one of the most interesting things
about art to me, maybe more so than the art itself. It's like long
learning long division in grade school. The teacher wants to see
your work. Without the documentation of the progression the work
has less meaning. I've gotten better with this. Trying to
work as much as possible helps keep up with the day dreaming.
In the end though I have to remind myself that
my work will have more meaning if I do all the steps.


Reader Comments (7)
"...you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life."
If you feel like making some changes, if you're excited about the prospect of something totally new and different, you have to go for it. Worry about how things shake out later on.
My new ideas just have to wait their turn.
That's why I'm doing the whole "do whatever I feel like don't worry about finishing anything just have fun for one year" thing. I love it so far. I've started some projects and all of them are way different from each other. it feels like being in art school again, back when making art was more about having fun and experimenting than struggling all the time.
SO my point...did I have one? Oh - I guess maybe many artists are not so focused that they concentrate on one successive body of work at a time. Unless they're disciplined, or have a big show coming up. I don't like to hamper my creativity by putting artificial guidelines on it. That's one reason I hate doing commission work!
It's good to see you are busy at work. I hope to get to Vancouver some day soon to check out all the cool galleries (well, maybe a small fraction of them) you have up there. Seeing as I'm just in Seattle...
Keep up the good work!
I often wonder if my short attention span with my own work is just a sign of the times, a kind of artistic ADD. I often wonder if I had the means to focus on my artwork full time if I would take the time to explore each idea fully or would I still rush from idea to idea. It could also be a way of avoiding being fully engaged with my work by just glossing over concepts.
hmmm this feels like an entry all of its own.